To Infinity and Beyond
When I was 12, I watched Toy Story for the first time. Despite not understanding English, the movie's animations conveyed its message. Now, at 22, Toy Story remains a cherished part of my childhood. Somehow, I find myself watching the movie every six months.
Curiosity about the Pixar logo alongside Disney's led us to research
Pixar. We discovered that Steve Jobs played a key role in managing Pixar and,
in 2006, became Disney's largest shareholder, earning billions despite being
ousted from Apple.
Just before his departure from Apple, Steve Jobs crossed paths with Ed
Catmull, who led the computer division at George Lucas's film studio. This
division specialized in hardware and software for creating digital images and
was home to a talented group of animators, including John Lasseter, an
executive with a deep passion for cartoons.
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Ed Catmull, Steve Jobs and John Lasseter (from left to right) |
In 1988, as Pixar faced financial struggles, Lasseter pitched an idea
for a short film called "Tin Toy." The story, inspired by classic
toys, followed a toy one-man band named Tinny and his comedic interactions with
a baby. Despite the company's tight finances, Jobs personally funded the
project, which went on to win an Oscar for Best Animated Short Film. This
victory established Pixar's reputation in animation.
Disney executives were impressed by "Tin Toy" and saw
potential in stories about toys with human-like emotions. While they attempted
to recruit Lasseter, his loyalty to Pixar and Jobs prevailed. Instead of
joining Disney, Lasseter remained committed to pioneering computer-generated
animation at Pixar.
Recognizing Pixar’s talent, Disney proposed a collaboration to produce a
feature film about toys. However, negotiations between Pixar and Disney were
complex. Jobs, still wary from his experiences at Apple, demanded a fair deal
that protected Pixar’s technology and granted the company shared rights to its
films.
In 1991, a deal was struck: Disney would own the film and its
characters, while Pixar would receive a share of ticket revenues and maintain
some creative input. This partnership led to the creation of "Toy
Story," a film that explored the inner lives of toys and their desire to
fulfill their purpose—being played with by children.
Toy Story was released on November 22, 1995 and opened to block buster commercial and critical success. It recouped its cost the first weekend, with a domestic opening of $30 million, and went on to become the top-grossing film of the year beating Batman Forever and Apollo 13, with $192 million in receipts domestically and a total of $362 million worldwide. According to the review aggregator Rotten Tomatoes, 100% of the seventy-three critics surveyed gave it a positive review.
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The film's success prompted Jobs to renegotiate with Disney. He wanted
Pixar to be more than just a contractor; he envisioned it as a true animation
studio. Following a successful IPO that valued Pixar at over $1 billion, Jobs
secured a new deal with Disney, splitting costs and profits equally.
Under this deal, Pixar produced a string of successful films, including
"A Bug's Life," "Toy Story 2," and "Monsters,
Inc." However, a leaked email from Disney executives, which underestimated
the potential of "Finding Nemo," strained relations between the
companies. When "Finding Nemo" shattered box office records, Jobs
halted negotiations with Disney, leaving the future of their partnership
uncertain.
The turning point came with Bob Iger's appointment as Disney CEO.
Recognizing Pixar's value, Iger initiated discussions to acquire Pixar. The
$7.4 billion deal transformed Jobs into Disney’s largest shareholder and
positioned Pixar leaders John Lasseter and Ed Catmull at the helm of Disney
Animation.
The acquisition allowed Pixar to maintain its creative independence
while revitalizing Disney's animation division. Through this strategic move,
Steve Jobs not only secured Pixar's future but also contributed to Disney's
resurgence as a powerhouse in animation.
This remarkable journey led Jobs to hold 80% of his stock portfolio in
Disney shares at the time of his passing in 2011. Pixar's legacy of animated
classics, from "Toy Story" to "Up," continues to entertain
audiences worldwide.
Now, dear readers, what do you think? Would we have seen such beloved
animated movies if Steve Jobs hadn’t taken a chance on Pixar? Share your
thoughts in the comments below!
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